• "The subject of my work has a lot to do with general, artistic matters, questions like: What is creativity? Where do we come from? What are our motors? What is coincidence? What is logic?"
  • "I try to keep a balance between conceptional or intellectual comprehension and emotional understanding."
  • "I made a lot of different experiments with tapes at that time, until I finally realized around 1995, that sound is an interesting subject for me. Ever since then sound got more and more integrated into my art works, musically as well as physically."
  • "I always try hard to arrange all media in a way so that it expresses what I want - this is not limited to one medium alone and varies from case to case."
  • "It is such a complex matter we live within, it is impossible to track logic and decision making really, so therefore each choice can actually only be seen as coincidence."
  • "Some things can be perfectly expressed by sound alone and images would only be disturbing. Other times, sound would be possible, but visuals are much stronger and closer to what I want to express and then again, they sometimes overlap perfectly."
  • "One often thinks that using 2 different things like visual and sound lead to 2 different conclusions - to a different content - but in in my case it is all one."
  • "You cannot always make such big exhibitions, because they consume too much time and energy."
  • "When I define polarities in my work, I actually create the space between things. I point to the question I am actually interested in, without naming it."
  • "There is always room for coincidence."